Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.)20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. BachFesttage_Köthen 20 2004 132p
2. Lowry, Palmer D.A Comprehensive Index of J. S. Bach Books in English. Organ 63 247 Jan 1984 36-45
3. Bania, Maria; Skowroneck, TilmanAffective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48 2 2020 193-203
4. wr.Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz. LeipzigerNNachrichten 15 Jun 1935 1p
5. Owrid, Oswald ClaytonBach Concordance and Cyclopaedia. 1900
6. Lawrence, ArthurBach in 1985. AmerOrganist(2) 19 3 Mar 1985 65-67
7. Johnson, Lawrence B.Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. BCJ 94 Jul 2011 33
8. Lowrie, Donald A.Bach's American Organ. MJournal 20 8 Nov-Dec 1962 14, 92
9. Lawrence, ArthurBach's Choral Music: An Overview. AmerOrganist(2) 19 3 Mar 1985 130-133
10. Wright, CraigBachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund. BachJb 86 2000 51-65
11. Haward, LawrenceBach's Last Fugues. MTimes 55 853 Mar 1914 161-164
12. Lowrie, Donald ABach's Miracle at Cöthen. MJournal 31 10 Dec 1973 17
13. Lawrence, H. R. G.Bach's Organ Works: Plea for New Recording. MTimes 101 1408 Jun 1960 383
14. Sears, LawrenceBethlehem / USA. Amerikanisches Bachfest. Musica 27 4 Jul-Aug 1973 373-374
15. Wright, Lesley A.Camille Saint-Saëns. [ce]19cChoralM 2012 274-283
16. Kuwratil, KarlDas Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. MsTheaterM 11 49 9 Dec 1865 769-772
17. Nawroth, UteDie Gesangbuchsammlung Wernigerode in der Staatsbibliothek. JbPreussKulturbesitz 28 1991 329-338
18. Anson-Cartwright, MarkElision and the Embellished Final Cadence in J. S. Bach's Preludes. MAnalysis 26 3 Oct 2007 267-288
19. Wright, PeterEnglish Bach Festival. Bach. MMusicians 24 11: 287 Jul 1976 45-47
20. Kramer, LawrenceFelix culpa: Goethe and the image of Mendelssohn. [ce]MendelssohnStudies 1992 64-79
21. Wright, Barbara D.Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. [p]AMS_Allegheny Apr 1985
22. Wainwright, Jonathan; Holman, PeterFrom Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 2005 xx, 321p
23. Wright, Josephine R. B.George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ 66 1 Jan 1980 65-82
24. Munier-Wroblewski, MiaGottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. 1949 77p
25. Wraight, DenzilGravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels. Concerto 22 201 Apr-May 2005 25-29
26. Locklair, WristonHarpsichord Society in All-Bach Program. MAmer 80 5 Apr 1960 23
27. Gulick, Walter LawrenceHearing: Physiology and Psychophysics. 1971 xi, 258p
28. Field, Lawrence NathanielJohann Sebastian Bach. 1943 xxiv, 166p
29. Gräbner, Augustus LawrenceJohann Sebastian Bach. 1885 160p
30. Wright, Barbara DavidJohann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. diss. 1983 viii, 458p
31. Skowron, Zbigniew (ed.)Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. [fs]Helman70 2007 686p
32. Wright, CraigLabyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. 2008 340p
33. Wright, Denis (arr.)My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach 1965 8p
34. Bernstein, Lawrence F.Ockeghem as 'The Bach of his day'. [fs]Blackburn 2009 577-592
35. Locklair, WristonPhiladelphia Orchestra Presents Bach Oratorio. MAmer 80 1 1 Jan 1960 40-41
36. Wright, CraigRare music manuscripts at Harvard. CurMcol 10 1970 25-33
37. Wraight, DenzilRecent approaches in understanding Cristofori's fortepiano. EarlyM 34 4 Nov 2006 635-644
38. Molinaro, LawrenceScaffolding instruction on improvisation – training organists within the Bach circle and beyond. [p]BICB_Southampton Jul 2012
39. Swr.Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. AllgDBib 67 2 1786 450-454
40. Wroñski, Tadeusz (ed.)Sei solo a violino / Johann Sebastian Bach. 2001 x, 103p
41. Bernstein, Lawrence F.'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. JMcol 23 1 Winter 2006 3-61
42. Bernstein, Lawrence F.Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. [p]AMS_Washington Oct 2005
43. Wroñski, TadeuszSonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. 1970 123p
44. Archbold, LawrenceStyle and Structure in the Praeludia of Dietrich Buxtehude. StudMcol 82 1985 vi, 349p
45. Anson-Cartwright, MarkSubdominant Returns in the Vocal Music of J.S. Bach. 18cM 10 2 Sep 2013 253-276
46. Anson-Cartwright, MarkTeaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Bach 49 2 2018 266-280
47. Schenbeck, LawrenceTempo and Rhythm in Bach's Cantata Ouvertures. Bach 17 1 Jan 1986 3-17
48. Wright, CraigThe Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. [p]AMS_Kansas Nov 1999
49. Wright, CraigThe Maze and the Warrior: Symbols in Architecture, Theology, and Music. 2001 ix, 351p
50. Anson-Cartwright, MarkThe Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. JMTheory 58 1 Spring 2014 1-24
51. Anson-Cartwright, MarkThe opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 2016 12-25
52. Golan, Lawrence (ed.)Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. 2006 91p
53. Archbold, LawrenceTowards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. StudM(AnnArbor) 107 1990 87-106
54. Molinaro, LawrenceVariations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). [p]BICB_Canterbury Jul 2016
55. Wraight, DenzilWie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument? JbStaatInstMf 2004 2005 123-135

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